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Kengo kuma 2006-2015 / Edited by Yukio Futagawa , Text by Kengo Kuma

By: Contributor(s): Material type: TextTextLanguage: English Original language: Kru (Other) Publication details: Tokyo : A.D.A. Edita Tokyo , 2015Description: 156 pages : Illustrated ; 24 cmISBN:
  • 9784871404334
Subject(s): LOC classification:
  • NA1559.K77 F88 2015
Summary: Born in Yokohama in the Kanagawa prefecture, Kengo Kuma (1954) is considered one of the most significant contemporary Japanese architects. His design vision expresses the emotional content of materials, linked to intrinsic characteristics in construction and the teachings of Japanese traditions. “Almost tuning in” to the materials themselves, Kuma has for years “engaged in a serious critique of what is defined as the “concrete method of construction”, in his desire to find an alternative to this material that “dominates” the world (Treccani). Projects such as the Stone Museum (2000) and Ando Hiroshige Museum (2000), both in Nasu, in the Tochigi Prefecture, the Takanezawa Plaza, Shiotanigun (Tochigi, 2006) and Suntory Museum of Art, Tokyo (2007) are exceedingly relevant to fully grasp his design philosophy
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Holdings
Item type Current library Call number Copy number Status Barcode
Books Books Fayza Aboulnaga Central Library | مكتبة فايزة أبو النجا المركزية بالحرم الجامعي NA1559.K77 F88 2015 (Browse shelf(Opens below)) C. 1 Available 10005447

Includes index.

Born in Yokohama in the Kanagawa prefecture, Kengo Kuma (1954) is considered one of the most significant contemporary Japanese architects. His design vision expresses the emotional content of materials, linked to intrinsic characteristics in construction and the teachings of Japanese traditions.
“Almost tuning in” to the materials themselves, Kuma has for years “engaged in a serious critique of what is defined as the “concrete method of construction”, in his desire to find an alternative to this material that “dominates” the world (Treccani).
Projects such as the Stone Museum (2000) and Ando Hiroshige Museum (2000), both in Nasu, in the Tochigi Prefecture, the Takanezawa Plaza, Shiotanigun (Tochigi, 2006) and Suntory Museum of Art, Tokyo (2007) are exceedingly relevant to fully grasp his design philosophy

Text in Japanese and English

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