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003 EG-NbEJU
005 20241031111616.0
008 171127t20182018dcua b f101 0 eng
010 _a 2017055984
020 _a9780300214673
_q(hardcover)
020 _a0300214677
_q(hardcover)
040 _aDGPO/DLC
_beng
_erda
_cEG-NbEJU
_dEG-NbEJU
041 _aeng
042 _apcc
043 _aa-ja---
050 0 0 _aN7353.5
_b.A785 2018
245 0 4 _aThe Artist in Edo /
_cEdited by Yukio Lippit
260 _aWashington :
_bNational Gallery of Art ,
_c2018
300 _aviii , 295 Pages :
_billustrations ;
_c29 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 0 _aStudies in the history of art ,
_x0091 - 7338 ;
_v80
490 0 _aSymposium papers / Center for Advanced Study in the Visual Arts ;
_v57
500 _a"This volume was produced by the Center for Advanced Study in the Visual Arts and the Publishing Office, National Gallery of Art, Washington"--Colophon
500 _a"Proceedings of the symposium "The Artist in Edo," organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and the Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution, and sponsored by the Anne van Biema Endowment Fund, the Arthur Vining Davis Foundations, the Japan Foundation, and the Starr Foundation. The symposium was held April 13-14, 2012, in Washington"--Colophon
504 _aIncludes bibliographical references and index
520 _aDuring the early modern period in Japan, peace and prosperity allowed elite and popular arts and culture to flourish in Edo (Tokyo) and Kyoto. The historic first showing outside Japan of Itō Jakuchū's thirty-scroll series titled Colorful Realm of Living Beings (c. 1757-1766) in 2012 prompted a reimagining of artists and art making in this context. These essays call attention to Jakuchū's spectacular series as well as to works by a range of contemporary artists. Selected contributions address issues of professional roles, including copying and imitation, display and memorialization, and makers' identities. Some explore the new form of painting, ukiyo-e, in the context of the urban society that provided its subject matter and audiences; others discuss the spectrum of amateur and professional Edo pottery and interrelationships between painting and other media. Together, they reveal the fluidity and dynamism of artists' identities during a time of great significance in the country's history.--Provided by publisher
650 0 _aArt, Japanese
_yEdo period, 1600 - 1868
_vCongresses
650 0 _aArt and society
_zJapan
_xHistory
_vCongresses
650 0 _aUkiyoe
_vCongresses
651 0 _aJapan
_xSocial life and customs
_y1600-1868
_vCongresses
655 7 _aConference papers and proceedings.
_2lcgft
700 1 _aLippit , Yukio ,
_d1970 -
_e=
710 2 _aCenter for Advanced Study in the Visual Arts (U.S.)
710 2 _aNational Gallery of Art (U.S.)
710 2 _aYale University Press
901 _aKholoud
902 _aENG_02_ (137)
942 _2lcc
_n0
_cBK
999 _c4668
_d4668